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Alternative rock, Arena rock, Art-Metal, Art-Pop, Art-Punk, Avant-rock, Avant-progressive rock, Blues-rock, British Invasion, Cello rock, Celtic rock, Christian rock, Classic rock, Comedy rock, Country rock, Death rock, Detroit rock, Folk-rock, Funk metal, Garage rock, Glam rock, Gothic rock, Grindcore, Grunge rock, Hair metal, Hard rock, Heavy metal, Indie rock, Instrumental rock, J-rock, Kraut rock, Lovers rock, Medieval rock, Mod, Modern rock, Noise rock, Piano rock, Pop rock, Progressive rock, Psychedelic rock, Punk rock, Rockabilly, Rocksteady, Rap Rock, Soft rock, Space rock, Wagnerian rock source: en.wikipedia.org

Folk - rock

Folk-rock is a musical genre, combining elements of folk music and rock music.

In the original and narrowest sense, the term referred to a genre that arose in the United States and Canada around the mid-1960s. The sound was epitomized by tight vocal harmonies and a relatively "clean" (effects- and distortion-free) approach to electric instruments epitomized by the jangly sound of the Byrds' guitarist Roger McGuinn. The repertoire was drawn in part from folk sources, but even more from folk-influenced singer-songwriters such as Bob Dylan.

This original folk-rock directly led to the distinct, eclectic style of British folk-rock (a.k.a. electric folk) pioneered in the late 1960s by Pentangle and Fairport Convention. Starting from a North-American style folk-rock, Pentangle, Fairport and other related bands deliberately incorporated elements of traditional British folk music. Very shortly afterwards, Fairport bassist Ashley Hutchings formed Steeleye Span in collaboration with traditionalist British folk musicians who wished to incorporate electrical amplification, and later overt rock elements, into their music.

This, in turn, spawned several other variants: the self-consciously English folk rock of the Albion Band and some of Ronnie Lane's solo work, and the more prolific current of Celtic rock, incorporating traditional music of Ireland, Scotland, Cornwall, and Brittany. Through at least the first half of the 1970s, Celtic rock held close to folk roots, with its repertoire drawing heavily on traditional Celtic fiddle and harp tunes and even traditional vocal styles, but making use of rock-band levels of amplification and percussion.

In a broader sense, folk-rock includes later similarly-inspired musical genres and movements in the English-speaking world (and its Celtic fringes) and, to a lesser extent, elsewhere in Europe. As with any genre, the borders are difficult to define. Folk-rock may lean more toward folk or toward rock in its instrumentation, its playing and vocal style, or its choice of material; while the original genre draws on the music of North American English-speaking whites, there is no clear delineation of which folk cultures music might be included as influences. Still, the term is not usually applied to rock music rooted in the blues-based or other African American music (except as mediated through folk revivalists), nor to rock music with Cajun roots, nor to music (especially after about 1980) with non-European folk roots, which is more typically classified as world music.

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